Chilling and realistic, brutal as hell and mostly
disturbing, The Seasoning House is a culmination of cruelty and suffering that
even the hardest of horror fans will at times find hard to stomach. Basically,
in a nutshell, this is Hostel without the tools.
In the war torn Balkans, deaf mute Angel (Rosie Day) is
inadvertently forced to watch her family slayed by murderous thug soldiers lead
by a heartless commander Goran (Sean Pertwee). This is military business as
usual for his squad, with even the most hesitant of legionnaires forced to
participate. It is also the source of commodities for Goran’s illegitimate side
business; a brothel operated by the equally ruthless and cold hearted Viktor
(Kevin Howarth).
At this whorehouse, a dark and dirty place with boarded up
windows and scampering rats, the girls are held captive, forced to comply and
perform through the use of involuntary drug addiction.
Angel, her sordid past told early on through effective
flashbacks, has now been assigned as, for lack of a better word, maid and
primary pharmaceutical deliverer. In a warped sort of way, this is a good thing
since it keeps her from being one of the bound to the bed products.
In this capacity, she preps the girls before each typically
violent, painful and callous encounter, injecting them with a hypodermic needle
filled with heroin and gingerly applying eye shadow. Afterward, using an
unclean sponge drawn from a rusty bucket, she soothingly wipes the blood away.
Far from unfeeling and uncaring, herself a prisoner and the sole object of
Viktor’s whim affections, she has no choice but to accept the atrocities.
Nighttime finds her wandering the crawlspaces between the
walls, struggling and wriggling and able to maneuver from room to room
undetected, where at times she exits from behind the ventilation grates. (This
is the film’s initial revelation and in the opening scenes we see her
accomplish this).
Powerless to aid, she maintains sanity in this vile
existence by keeping it bottled up deep within and simply going through
Viktor’s directed daily routine.
When newcomer Vanya (Dominique Provost-Chalkley) realizes
that Angel is deaf and begins communicating with her through sign language,
Angel lets her guard down and befriends, even bringing and sharing a little
piece of heaven in the form of the chocolate she keeps hidden away under her
mattress.
But, make no mistake, life here is meager and pitiless as
Angel watches, so close but yet so far, from behind the room’s metal grate
while Vanya is subjected to chronic and vicious rapes that leave her bloody and
shattered. After one such encounter, Vanya’s pelvis is broken and Viktor is
forced to summon Andre, a neighborhood doctor who may harbors ethics and pity,
but is also unable to help since the establishment is well protected and
far-reaching. After delicately scolding Viktor about taking better care of the
girls, he (in a creepy, grin filled shot reminiscent to the visiting truant
officer in A Clockwork Orange) lies to Vanya, hides the true extent of her
injuries and tells the poor girl that she has only suffered a little tearing.
An aware Angel wants desperately to assist her new friend, but fearfully
abstains, knowing it futile.
But when the ones responsible for her abduction and family’s
demise pay a visit, her plan of revenge takes full root. Will it lead her on a
path to escape and freedom?
Throughout the first two thirds of the film, Director Paul
Hyett sets the tone, making it impossible for the audience to turn away and
taking them on an almost ethereal journey that nearly implies it is nothing
more than some horrible bad dream. But, the final act yanks this away,
exchanged for a high suspense filled game of cat and mouse.
Raw, powerful and harsh, the film, carefully crafted by
Hyett, is not for everyone and many will find it revolting. However, this is
not to say that the film is in no way, shape or form terrible. On the contrary,
the film is excellent, has won numerous awards and is filled with especially moving
performances.
Kevin Howarth, as the imposing Viktor, initially will have
the audience despising his character but will eventually turn them into rooting
fans.
And, Dominique Provost-Chalkley is exceptional as Vanya, a role that can
only be described as grueling and arduous.
However, it is Rosie Day’s Angel character that
commands attention; something rather difficult when dialogue is forbidden;
clearly conveying emotion the audience will comprehend and feel even without
the use of words.
Uncompromising, The Seasoning House is an unrelenting
glimpse into the sexual slavery trade that is probably closer to fact than
fiction and for those who view the film, be aware, while the film may have
ended, the memories will most assuredly remain.
And the winner of the Killer Klowns From Outer Space DVD is....
Michele Lineberry
Michele, your prize is on the way!
Michele, your prize is on the way!
Fester Bones Giveaway #2
WEREWOLVES by Jon Izzard
As mentioned last week, from now until Halloween, Fester Bones is giving away one prize a week. This week it it the book Werewolves by Jon Izzard. Chock full of photographs, this 192 page book goes beyond fiction to find the facts.
Want to win it?
Simply drop Fester a line at FesterBonesGiveaway@yahoo.com and include your name and address. All entry's will be tossed in a grave and one will rise.
Deadline is midnight September 19th and that winner will be announced next week right here on Staying Scared.
Good Luck Ghouls
One last note...
Things do go bump in the night and you might notice that Staying Scared is going through a change. All we here at Staying Scared can say is that It's going to be a very creepy October. More on that later
Until next week Creepsters,
Stay Scared
